This biography must not be used, whole or in part, for publicity or concert programmes. Please download the Media Pack below or contact Clare.

Born in Manchester, Clare grew up in a home full of music. She gave her first solo concert at the age of 17 with Musica Antiqua of London on the invitation of Alison Crum, with whom she has enjoyed regular music-making ever since. She went on to read Classics with a choral scholarship at Trinity College, Cambridge, followed by postgraduate vocal studies with Hazel Wood at Trinity College of Music, London, where she won numerous prizes. 

In 2004 she worked for the first time with Sir John Eliot Gardiner, and has since performed both Bach's Passions, the B minor Mass, the Christmas Oratorio, the Magnificat, and much other repertoire under his baton. Particularly special moments for Clare have been Bach’s alto Cantata 170, Vergnügte Ruh, at the Spiegelsaal in Köthen, J C Bach’s Ach, daß ich Wassers g’nug hätte at the Cadogan Hall, London and the St Matthew Passion at the Thomaskirche in Leipzig. 

Clare has also sung with, amongst others, the Netherlands Bach Society/Jos Van Veldhoven, the Orchestra of the Age of Enlightenment/Laurence Cummings, the Concertgebouw Chamber Orchestra/Roy Goodman, the English Concert/Harry Bicket, New London Consort/Philip Pickett, Capella Augustina/Andreas Spering, the Royal Liverpool Philharmonic/Ian Tracey, Tallinn Chamber Orchestra/Daniel Reuss, les Talens Lyriques/Christophe Rousset, the Feinstein Ensemble/Martin Feinstein, Israel Camerata/Charles Olivieri-Munroe, Le Concert d'Anvers/Bart Van Reyn, the Parley of Instruments/Peter Holman, the Hanover Band/Paul Brough, Florilegium, the Orquesta Ciudad de Granada/Salvador Mas Conde, the Little Baroque Company and the Manchester Camerata/Nicolas Kraemer. 

Clare has appeared at many of the world’s major halls: Covent Garden, the Wigmore Hall, the Barbican, the Queen Elizabeth Hall, and the BBC Proms at the Royal Albert Hall in the UK, and further afield the Amsterdam Concertgebouw, the Hong Kong Cultural Center, Washington National Cathedral, Bozar Brussels, the Théâtre des Champs Elysées, Cité de la Musique, Köln Philharmonie and the Lincoln Center New York amongst many others.

Equally at home with a consort of viols, she performs and records regularly with Fretwork, with whom she performs a mix of early and contemporary repertoire, and The Rose Consort of Viols, with whom the focus is mostly on Renaissance music, particularly William Byrd. 

Having been named in Opera Now magazine’s Who’s Hot listing, Clare also enjoys stage work; Venus in Monteverdi’s Ballo dell’Ingrate at the BBC Proms, Galatea in both Handel’s Acis and Galatea (Trigonale Festival, Austria) and his Aci, Galatea e Polifemo (Laurence Cummings, London Handel Festival), Ariel in The Tempest (Gardiner, Far East tour), Zinnia in Chabrier’s L’Etoile (Gardiner, Opéra Comique Paris), David Lang’s Little Match Girl Passion in a new staging with Cryptic Theatre Company, and Penelope in Guido Morini’s L’Odissea with Accordone (Schwetzingen Festival). In Summer 2014 she staged Bach motets with GOTCompany in the critically acclaimed project Death Actually, directed by Tom Guthrie. In May 2015 she will take the role of Amore in Gluck's Orfeo for The Ministry of Operatic Affairs under the direction of Bart Van Reyn.

Also passionate about vocal consort singing, Clare is a member of I Fagiolini (winners of a Gramophone award and Diapason d’Or de l’Année) and with them was part of the ground-breaking ‘secret theatre’ opera project The Full Monteverdi directed by John La Bouchardière, and Tallis in Wonderland directed by Henk Schut, as well as Ed Hughes’ new opera The Birds in which she took the illustrious role of Second Pigeon.

Most recent among Clare’s numerous CDs are critically-acclaimed Mynstrelles with Straunge Sounds and Adoramus te, both with the Rose Consort of Viols; Bach's Magnificat with the Dunedin Consort/John Butt; Anne Boleyn's Songbook with Jacob Heringman (lute) and Kirsty Whatley (harp); Monteverdi's Orfeo with Andrew Parrott; Welt, gute Nacht, music by J C Bach with John Eliot Gardiner; and Divine Madness, a project with lute and oud exploring melancholy in Arab Sufi literature and Elizabethan England. 

Notable also are the Messiah - winner of a Gramophone award - and the St Matthew Passion - first choice on Radio 3's Building a Library - both with The Dunedin Consort/John Butt; and Four Gentlemen of the Chapel Royal with The Rose Consort of Viols which also attracted much critical acclaim. A mixed recital disk with Fretwork, The Silken Tent, features two songs of Byrd never recorded before (thanks to Richard Turbet for drawing them to our attention!) See Discography for more information.

Clare is a fan and enthusiastic advocate of her father Stephen’s choral music and songs. Two songs, for mezzo-soprano and viols, feature on The Silken Tent, and she has performed his songs at The Wigmore Hall and King’s Place, London. She organised a CD of his choral music, Dover Beach, out now on Deux-Elles; a CD of his solo songs, featuring Mhairi Lawson, James Gilchrist and Matthew Brook, will be released in 2016.

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